Following an attack from a powerful drug cartel that devastates the Kingsman organisation, Kingsman: The Golden Circle follows Eggsy and Merlin as they travel to America in order to team-up with their American counterparts, the Statesman. It turns out that the Statesman have been looking after a somehow still alive Harry Hart since he was shot in the previous film, but the retrograde amnesia he's suffering from means he remembers nothing from his life as a Kingsman. Around the same time, the leader of the aforementioned drug cartel, the Americana-obsessed Poppy Adams, announces to the world that she's been poisoning her product, and won't release the antidote to her hundreds of millions of users around the world until the President of the USA ends the War on Drugs once and for all.
There's a lot going on, and that's just one of the many problems that Kingsman: The Golden Circle suffers from. Matthew Vaughn has admitted in interviews that if he'd known Kingsman was going to become a franchise then he wouldn't have killed off Harry Hart in the first film, but undoing that decision ends up costing a lot more than it's actually worth. We spend a lot of time jumping through hoops in order to explain and attempt to add some dramatic weight to Harry's return, but when all is said and done his character has no purpose in the film beyond merely establishing that he's still alive and available for future movies.
These plot problems are only made all the more damaging by the simple fact that the film-making of Kingsman: The Golden Circle isn't a patch on that of Kingsman: The Secret Service. Vaughn's approach made everything feel artificial and weightless, both physically and dramatically. There are a few action scenes here that could and should have been spectacular, but in attempting to top the now infamous church scene from the first film, Kingsman: The Golden Circle can't help but come across as trying far too hard. This is particularly noticeable during the film's opening and closing action sequences - they're at times virtually incomprehensible thanks to the swooping and diving from the camera, rapidly cutting from extreme close-up to extreme close-up in a way that ends up feeling far more reminiscent of a sequence of live-action comic book panels than it does a well shot and edited action scene.
But by far the biggest problem with Kingsman: The Golden Circle is that it lacks the kind of spirit, heart and creative drive that the first film had in droves. It's easy to forget that "fun spy flick" was only one part of what made Kingsman: The Secret Service so enjoyable - Eggsy's journey through the British class system and his subsequent rejection of the upper class was the real story of the film, working in tandem with Vaughn's own commentary on the ruling elite to create a surprisingly smart and subversive piece of satire.
As far as the American counterparts are concerned, their roles feel rather wasted. Those that received so much attention during Kingsman: The Golden Circle's marketing campaigns are ultimately little more than extended cameos. Channing Tatum may have been a focal point in trailers and posters, but he, much like Halle Berry and Jeff Bridges, has no purpose in the film - Elton John has more screen time than most of the Statesman crew combined, as well as being far more vital to the story. And maybe that would have been forgivable if the plot was more interesting. Unlike Kingsman: The Secret Service, which slowly doles out information about Richmond Valentine's plan to the audience as the Kingsman investigate (which in effect positions much of that film as a mystery), we're told the full extent and intent of Poppy Adams' plan early on in the film, and spend the rest of the time waiting for Eggsy and Merlin to catch up as they get distracted by the Statesman and the return of Harry. It's a pretty fundamental mishandling of an otherwise perfectly acceptable, albeit uninspired, plot that robs it of any urgency or intrigue it might have had, meaning that by the time the finale actually rolls around it all feels totally perfunctory.
These plot problems are only made all the more damaging by the simple fact that the film-making of Kingsman: The Golden Circle isn't a patch on that of Kingsman: The Secret Service. Vaughn's approach made everything feel artificial and weightless, both physically and dramatically. There are a few action scenes here that could and should have been spectacular, but in attempting to top the now infamous church scene from the first film, Kingsman: The Golden Circle can't help but come across as trying far too hard. This is particularly noticeable during the film's opening and closing action sequences - they're at times virtually incomprehensible thanks to the swooping and diving from the camera, rapidly cutting from extreme close-up to extreme close-up in a way that ends up feeling far more reminiscent of a sequence of live-action comic book panels than it does a well shot and edited action scene.
But by far the biggest problem with Kingsman: The Golden Circle is that it lacks the kind of spirit, heart and creative drive that the first film had in droves. It's easy to forget that "fun spy flick" was only one part of what made Kingsman: The Secret Service so enjoyable - Eggsy's journey through the British class system and his subsequent rejection of the upper class was the real story of the film, working in tandem with Vaughn's own commentary on the ruling elite to create a surprisingly smart and subversive piece of satire.
Ultimately, Kingsman: The Golden Circle is a film that simply lacks any real reason to exist from a creative or artistic perspective, and is instead content to be nothing more than a substandard spy movie. Kingsman: The Secret Service deserves a far better sequel than this.
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